Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
Anton Chekhov’s classic play contemplating what prevents us from changing the circumstances of our unhappiness. Photo: Lucy Powis
(2016, Schapiro Studio) Costumes: A.F. King, Lighting: Joe Cabrera, Sound: Sebastian Siclait. Photo: Lucy Powis
(2016, Schapiro Studio) Costumes: A.F. King, Lighting: Joe Cabrera, Sound: Sebastian Siclait. Photo: Lucy Powis
Anton Chekhov’s classic play contemplating what prevents us from changing the circumstances of our unhappiness. Photo: Lucy Powis
A hospital. A bus stop. The wild west. The distinctions between time and space are collapsing for Kelly following the death of her father in this new musical play that blends comedy, drama, and fantasy. Written by Nora Sørena Casey. Photo: Gordon Penn
(2016, Schapiro Theatre) Costumes: Emily White, Lighting: Tim van't Hof, Sound: Pornchanok Kanchanabanca. Photo: Gordon Penn
(2016, Schapiro Theatre) Costumes: Emily White, Lighting: Tim van't Hof, Sound: Pornchanok Kanchanabanca. Photo: Gordon Penn
A hospital. A bus stop. The wild west. The distinctions between time and space are collapsing for Kelly following the death of her father in this new musical play that blends comedy, drama, and fantasy. Written by Nora Sørena Casey. Photo: Gordon Penn
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
William Shakespeare's tale of depravity and ambition is brought to life by an all-female and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
William Shakespeare's tale of depravity and ambition is brought to life by an all-female and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
Dawn and Shelby are twins whose lonely father only communicates through food. When a mysterious new teacher appears in their lives, introducing them to a folktale about jealous sisters ending in bloody violence, reality and myth start to blur. Written by Gina Stevensen. Photo: Gordon Penn
(2017, Schapiro Theatre) Set: Taylor Riccio, Costumes: Matthew Lott, Lighting: Joe Cabrera, Sound: Aiden Dreskin. Photo: Gordon Penn
(2017, Schapiro Theatre) Set: Taylor Riccio, Costumes: Matthew Lott, Lighting: Joe Cabrera, Sound: Aiden Dreskin. Photo: Gordon Penn
Dawn and Shelby are twins whose lonely father only communicates through food. When a mysterious new teacher appears in their lives, introducing them to a folktale about jealous sisters ending in bloody violence, reality and myth start to blur. Written by Gina Stevensen. Photo: Gordon Penn
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit