Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
The story of astronomer Hisako Koyama (1916-1997) – intertwined with the ancient Japanese myth of the sun goddess Amaterasu, in a retelling inspired by the structure of classical Noh theatre.
(A New Musical In Development) Composer: Tidtaya Sinutoke, Bookwriter/Lyricist: Isabella Dawis, Creative Producer/Cultural Consultant: Ikumi Kuronaga, Video & Production Designer: Suzu Sakai, Audio Mixer: Megumi Katayama
(A New Musical In Development) Composer: Tidtaya Sinutoke, Bookwriter/Lyricist: Isabella Dawis, Creative Producer/Cultural Consultant: Ikumi Kuronaga, Video & Production Designer: Suzu Sakai, Audio Mixer: Megumi Katayama
The story of astronomer Hisako Koyama (1916-1997) – intertwined with the ancient Japanese myth of the sun goddess Amaterasu, in a retelling inspired by the structure of classical Noh theatre.
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
William Shakespeare's tale of depravity and ambition is brought to life by an all-female and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
William Shakespeare's tale of depravity and ambition is brought to life by an all-female and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
A kaleidoscopic blend of dance, visual art, memoir, critical theory and more that explores (and attempts to get to the bottom of) what it truly means to apologize.
(Ars Nova Digital ANT Fest, 2021) Created by Nora Sørena Casey and Nana Dakin, with Rasheedat “Ras” Badejo, Sagan Chen, Tsebiyah Mishael Derry, Freddie Fulton, and Francesca McKenzie. Animation and video editing by Kaitlyn Chandler.
(Ars Nova Digital ANT Fest, 2021) Created by Nora Sørena Casey and Nana Dakin, with Rasheedat “Ras” Badejo, Sagan Chen, Tsebiyah Mishael Derry, Freddie Fulton, and Francesca McKenzie. Animation and video editing by Kaitlyn Chandler.
A kaleidoscopic blend of dance, visual art, memoir, critical theory and more that explores (and attempts to get to the bottom of) what it truly means to apologize.
Anton Chekhov’s classic play contemplating what prevents us from changing the circumstances of our unhappiness. Photo: Lucy Powis
(2016, Schapiro Studio) Costumes: A.F. King, Lighting: Joe Cabrera, Sound: Sebastian Siclait. Photo: Lucy Powis
(2016, Schapiro Studio) Costumes: A.F. King, Lighting: Joe Cabrera, Sound: Sebastian Siclait. Photo: Lucy Powis
Anton Chekhov’s classic play contemplating what prevents us from changing the circumstances of our unhappiness. Photo: Lucy Powis
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit