Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
(2019, Royal Court Theatre) Set & Costumes: Moi Tran, Lighting: Natasha Chivers, Video: Ian William Galloway, Sound: Nicola Chang. Photo: Helen Murray
Anchuli Felicia King’s scathing corporate satire set at a skin whitening cosmetics firm in Singapore. Photo: Helen Murray
Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. Photo: Amy Wolf
(2023, American Shakespeare Center) Costumes: Ashleigh Poteat, Props: Duck Bracey. Photo: Amy Wolf
(2023, American Shakespeare Center) Costumes: Ashleigh Poteat, Props: Duck Bracey. Photo: Amy Wolf
Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. Photo: Amy Wolf
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
(2019, Bangkok Art and Culture Center) Set & Video: Rasean Davonte Johnson, Lighting: Palita Sakul, Costumes: Nicha Puranasamriddhi, Sound: Pornchanok Kanchanabanca. Photo: BACC
In a dark circus world four characters hurt and destroy things for fun. Audiences are given flags to wave if they want the action to stop, but are told it will only stop if they all wave their flags at the same time. Photo: BACC
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
(2009, Democrazy Theatre Studio) Set: B-Floor, Costumes: Ornanong Thaisriwong, Lighting: Pavinee Samakkabutr, Sound: Toey Silverback. Photo: B-Floor
Against a backdrop of forced and voluntary migration, human rights, and Thai societal expectations and prejudices, three parallel tales of what pushes someone to leave home unfold. Photo: B-Floor
William Shakespeare's tale of depravity and ambition is brought to life by an all-women and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
(2018, Lenfest Center for the Arts) Set: Santiago Orjuela-Laverde, Costumes: Emily White, Lighting: Elizabeth Mak, Sound: Pornchanok Kanchanabanca, Photo: Rob Strong
William Shakespeare's tale of depravity and ambition is brought to life by an all-women and non-binary cast, redrawing the lines that define gender and power in this classic play. Photo: Rob Strong
Lanxing Fu's musical epic about a creature brought back from extinction and a thawing land that holds our fate. Photo: Maria Baranova
(2022, Superhero Clubhouse/122CC) Set & Lights: Alejandro Fajardo, Costumes: kindall houston almond, Composer & Sound Design: Trevor New, Crankie Design: Lexy Ho-Tai. Photo: Maria Baranova
(2022, Superhero Clubhouse/122CC) Set & Lights: Alejandro Fajardo, Costumes: kindall houston almond, Composer & Sound Design: Trevor New. Photo: Maria Baranova
Lanxing Fu's musical epic about a creature brought back from extinction and a thawing land that holds our fate. Photo: Maria Baranova
Christopher Chen's "fantasia on colonialism" set in the fictional Country X, which has been colonized by Country Y, the question is: "Can people from Country X and Country Y be friends?" Photo: Kendall Best
(2022, UNCSA) Set: Audrey Harms, Lighting: Kelsey Forero, Costumes: Erin Justice, Sound: Lance Perl, Props: Mak Jordan. Photo: Kendall Best
(2022, UNCSA) Set: Audrey Harms, Lighting: Kelsey Forero, Costumes: Erin Justice, Sound: Lance Perl, Props: Mak Jordan. Photo: Kendall Best
Christopher Chen's "fantasia on colonialism" set in the fictional Country X, which has been colonized by Country Y, the question is: "Can people from Country X and Country Y be friends?" Photo: Kendall Best
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
(2013, Pridi Banomyong Institute) Set: Laura Perin and Tommaso Maggio, Lighting: Pavinee Samakkabutr, Video: Taechit Jiropaskosol, Sound: Katenan Juntimathorn. Photo: Withit Chanthamarit
The outcome of a residency commissioned by The Wellcome Collection (UK) on the impact and research of malaria and melioidosis diseases in Thailand. Photo: Withit Chanthamarit